In 1890 a book was written called "The Mystery of Love, Courtship and Marriage Explained." It was intended to be a guide for young men and women, primarily women, that would educate them in the "science" of love. I stumbled across a picture of the cover in another blog and decided to read it for myself. While looking at it I suddenly realized that this would be the kind of reading that a young woman in the 1900's would peruse. The copy I found on line was a 1920's reprint so it was still in use at that time. Agnes was a forward thinking woman and I am sure she would have taken it upon herself to learn the things she should know about life. However, a learning experience is only as good as the information one can obtain. Agnes studied biology and was undoubtedly aware of the nature of human reproductive mechanics but what biology couldn't teach her were the mechanics of emotions, feelings, urges and how to act on them. She came from a religious environment that viewed sex as original sin. She lived in an emotionally dysfunctional environment that taught the value of abstinence, virginity and the sanctimony of matrimony and yet her life was an emotional roller coaster probably because she spent it attempting to reconcile her feelings with her spirituality. I thought we should take a walk through this manual and see how it compared with Agnes.
"Prudery and Flirtation are both equally culpable, but between these two extremes there is a happy medium. Neither religion nor the properties of life require a young lady to be ascetic and disagreeable; and if she has recourse to prudery as a safeguard she must be strangely afflicted with that weakness of conceit..." This is a lesson that Agnes learned well. You can watch nearly any of
her movies made in the 1940's or 1950's and see how well she mastered
it. She used flirtation in a way the majority of people cannot.
Throughout her career most of her die hard fans were women. She learned
the power she had and she used it. It flowed off the screen and into
the audience where young women became enraptured by this powerful
woman. Agnes managed to find the midpoint between prudery and flirtation. She was skillful at figuring out how to broadcast those intentions that were never made clear via scripting and she captured her audience with them. She openly flirted with women especially as she aged because the intentions were so well hidden that only people looking for it would find it. To her dying day the majority of her fans were women and still
How To Know That You Are Really In Love
"Many young people, particularly the male kind, imagine themselves in love when in truth they are not." A lesson not well learned by Agnes. She never learned how to trust someone enough to truly love them. Perhaps it was her dual nature and the fact that she was very aware that behavior that does not conform to societal norms is dangerous. She admitted herself that she had never sought love out and it would have to have come to her. I don't think if love had driven up in a bus marked love she would have really trusted it to be what it said it was. An interview in the 1960's revealed her opinion of people, she said that they always let you down and you cannot trust them. She loved her sister and her sister left her. She loved, worshiped, her father and he left her. Love was never something she was going to find because she didn't look for it she hid from it.
"This is a powerful weapon in the art of making love." Agnes mastered flattery the minute she learned that a look was powerful beyond words. Any glance at a photo of a young Agnes Moorehead shows you that she knew this device and knew how to use it.
The Love Code
Art 1: The source of love lies in two of the purest sentiments admiration and hope.
I think Agnes understood this and I think it is why she never sought love after the death of her sister. I think Agnes loved her sister in the purest way, admiration, however, I also think that her sister's betrayal of that pure love is what drove her away from actively seeking someone to love her as purely. Agnes knew that her sister understood her, hence the reference to "you have never loved a man like I have," in her postmortem letter to her sister. Agnes loved on a different level and like every close set of siblings she discussed it with her sister. Her sister used her trust as a weapon when they fell out over it the year before Peggy's death. Agnes' ability to trust anyone died right along with Peggy. Without trust there can be no admiration or hope.
Art 2: Love is difficult to define; what we can say is, that in the soul it is a ruling passion, in the mind a lively sympathy, and in the body it is only a secret and delicate desire of possessing the object beloved, after many mysterious preliminaries.
Agnes believed that a woman loved on a different plane than a man. That she could love someone who was "this or that, male or female" and that it went far beyond the "mysterious preliminaries" referred to above. In her mind love was empathic and came from the soul not from the body.
Art 3: Love is like a fever; it begins and ends without volition having the least part in the matter.
This baffles me honestly. Yes love is fickle but I believe it stems from the lack of true connection on a spiritual level with the person you love. I think Agnes thought that as well. She commented in an interview with Boze Hadleigh that she didn't want people peering in on her love life because she didn't want them to misunderstand what was "beautiful and even spiritual."
Art 4: The deepest love betrays itself by the most ridiculous appearances; by extreme timidity, for example, or awkward bashfulness.
In other words don't let your feelings show in untoward ways. People will know how you feel and whom you feel it about. Mask your feelings and show them privately. Agnes took this to heart and learned to spend her entire life masking her feelings.
Art 5: The lover is near happiness who begins to doubt of the bliss which he had promised himself and reflects most severely upon the reasons he had seen for hope.
Question your bliss and look for what you hoped you might have. I cannot say if Agnes really took this to heart, but, I suspect she might have understood it. She lived with Jack Lee for nearly twenty years and that is something she could never had done if she hadn't hoped for something else.
Art 6: In love contrary to almost all other passions the memories of the past are always superior to the hopes of the future.
Agnes lived on her memories in her later years. She clung to them and used them as strength to carry on in solitude. Even though she protested to need a certain amount of solitude her reference to beautiful and spiritual love shows that she had some type of relationship that she deemed worthy of living for.
Art 7: The moment most fatal to love is when the lover finds himself treated with contempt and when he must destroy the beautiful chimera, which he has taken so much pain to construct.
I found the definition of chimera to be most interesting, especially when used in this context and very illuminating on Agnes' view of herself. The definition of chimera is " A chimera or chimaera is a single organism that is composed of two or more different populations of genetically distinct cells that originated from different zygotes involved in sexual reproduction."
A chimera is by its very nature duel. Agnes had a duel nature she admitted it freely during the Hadleigh interview. I think this may be how she saw herself. A single individual made of two or more entirely different things.
Tomorrow the remaining Arts...and their interpretation......Merry Christmas.
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