Friday, June 10, 2011

Going Back, Way Back, To The Beginning

I have read so many documents while researching all of this over the last 10 years.  I have found that the place to find everyday details of life is most definitely the newspaper.  At the turn of the century newspapers served as the town crier for small towns and large cities alike.  Births, deaths, marriages, relocation, graduation and other everyday mundane information was reported in the daily, weekly and monthly journals.  This has been invaluable to me in gaining perspective on what made Agnes Moorehead who she was.

Humble Beginnings

In all began on December 6, 1900 in Clinton Massachusetts.  I have her birth record listing her as being the child of John H. Moorehead, pastor, and Mary Moorehead, home maker.  It is a very simple piece of paper comprised of a listing of children born that day in Clinton.  It is a full page long and handwritten in the floral style of cursive writing common during that period of time.  Clinton was not the Reverend Moorehead's first parish.  His first station with the Presbyterian Church was in the small southwestern Pennsylvania town of Scottdale.  This posting was key to Agnes' very existence.  Had it not happened John would never have met Mary Mildred McCauley.
Agnes around the age of 6





Mary, or Molly as she was called, was from the area surrounding Scottdale Pennsylvania.  Her father, an, English immigrant, settled in southwestern Pennsylvania around the year 1874, according to census papers.  He worked as a tinsmith.  Around 1880 he would marry a local girl named  Margaret Doyle.  Their first child was Mary Mildred McCauley the woman destined to become the mother of Agnes Moorehead.
Molly and her mother Margaret McCauley

Little is available about the McCauley family other than census records and they're difficult to find.  It has been my experience that the census records of the period were taken down incorrectly on a regular basis.  Names were misspelled.  Relationships were incorrectly documented.  Tons of reading as well as interpretation is required to figure out potential relations.  I've found Mollies father listed on two census records.  The first is is 1900 in Pittsburgh Pennsylvania.  He is listed as a roomer in a home documented by the record.  I would never have found him if it hadn't been for a newspaper article in the Daily Republican News of Hamilton Ohio documenting the Moorehead family as being visited by Mollies sister in January of 1906 by Mollies sister Mrs. William S. Spang.  It is key because the other person living in the home and listed as a roomer along with Edward "Teddy" McCauley is William S. Spang.  The McCauley family doesn't surface again for 10 years.  On the 1910 census Teddy is listed as a resident on the census of Canton, Ohio along with his wife Margaret.  I read an article ages ago that talked of Agnes' grandfather and his passing.  He apparently fell asleep in a chair during the day.  He subsequently died in his sleep and was discovered dead by his grand daughter Agnes.  It makes sense because both families lived in Ohio for years and it is likely that Agnes spent time with them.  The last record of Teddy being alive was in 1913 where he was listed in the Canton Directory.  Alas the Ohio death records do not list his death but he is never documented again after 1913.. Again, I would never have made the connection to Canton Ohio if it hadn't been for a newspaper article in 1953.  That article reads as follows:


Zanesville Ohio
February 17, 1953
Canton Ohio, (UP)
Agnes Moorehead's Grandmother Dies
Mrs. Margaret McCauley, 92,  grandmother of screen actress Agnes Moorehead, died at her home here on Monday night.
Mrs. Molly Moorehead of Reedsburg Wisconsin, mother of the actress, is a patient in a Canton hospital.

The article was the only connection I had linking the McCauley family with Canton until I obtained the death record of Margaret McCauley.  The informant on the death record is one Mrs. Agnes Scott.  She turned out to be the sister of Molly also living in Canton.  It also told me who Margaret Doyle McCauley's father was.  His name was Patrick Doyle.

Agnes had long asserted the she was a relative of Sir Arthur Conan Doyle.  Suddenly I had confirmation that Doyle was a family name and more importantly that Agnes had given out a statement about her roots.  Alas, I have yet to connect Patrick Doyle with Sir Arthur but I can tell you more about her roots.  Patrick Doyle was born in 1818 in Ireland.  He married Mary Molly Newton.  Together they came America in 1845 settling in Leechburg Pennsylvania.  They had seven children.  The eldest being Moses J. Doyle.

I mention Moses Doyle because he has the most documented history of any of the couples children.  He was a veteran of the Civil War as well as a survivor of Anderson and the father of one Dr. Paul Boyton Doyle a prominent Pittsburgh physician and Dr. Frank Boyle another prominent Pittsburgh physician.  Patrick died in 1894 and Molly, his wife, died in 1884.  The Doyle family was very visible in their community and in the society of Pittsburgh Pennsylvania.
Dr. Paul Boyton Doyle and his wife Leah Ida Horn Doyle
 

This blurb was printed about Moses Doyle in the biography of Dr. Paul Boyle in the book  A Century and a Half of Pittsburgh and Her People 
Moses Doyle, eldest child of Patrick Doyle, was born in County WexfordAndersonville
It seems that when it came to her family history Agnes edited very little.  She identified her roots as Scotch Irish and English.  The only stretching of this truth comes much later in her life when she begins the process of trying to regain and restore the family farm in Ohio.  She says in many newspaper articles that the farm was established by her grandparents who immigrated from England.
 Not quite true.  The farm was actually established by her great grandfather not her grandfather.  Her great grandfather was David Moorehead and he was not English he was born in Pennsylvania having been born there in 1799.  He moved west into Ohio around 1820.  He married Margaret Henderson in Muskingum Moorehead emigrated to this country from Scotland and settled in Pennsylvania.  Samuel married a woman of German heritage named Elizabeth Sproul a piece of heritage left out of every biography of Agnes.  In her defense she may truly not have known that she had any German heritage owing to a lack of readily available records at the time but it wasn't very difficult for me to connect these dots so nobody can say for sure if she was aware of her German roots.  David Moorehead was married to Margaret Henderson, hence Agnes' father's middle name.  She was born in 1802 in Somerset county Pennsylvania and died in 1879 in Muskingum county Ohio.

Singleton Peabody Moorehead. Great grandson of David Moorehead and Margaret Moorehead cousin to Agnes born two months before her in Massachusetts.
Gracey Jane Moorehead granddaughter of Samuel Moorehead who was the great grandfather of Agnes making Gracey a cousin.
 Anna Cavey Mercer daughter of Gracey Moorehead cousin of Agnes pictured with her daughter Muade and son in law Roy Parsons.

 Hattie Belle Bice granddaughter of Samuel Moorehead and cousin to Agnes.

Agnes' grandmother, the wife of Robert Moorehead, was Hannah Mariah Humphrey.  Hannah was born in Muskingum county in 1838.  She was the daughter of Marcus Humphrey and Amanda West.  The Humphrey family is my connection to Agnes.  We have a common great grandmother a few generations back.  Hannah's father, Marcus, moved to Ohio from Virginia around 1830 at the age of 20 years old.  His father Lee also relocated around that time.  Amanda West also came to Ohio from Virgina.  She was born around 1808 in Virginia.  Her father was William West and her mother Rebecca Tysinger.  Hannah and Robert Moorehead had five children together but only four of them survived to adulthood.  It bears mentioning here that Hannah had only one sibling, Martha Jane.  Martha also married a Moorehead, Alfred Kelly Moorehead, elder brother of Robert.  Martha and Alfred were the parents of Lou E. Moorehead the cousin who would sue Agnes later on in the saga.

However tempted you might be to get lost in this apparently simple American family history,
one must remember that despite the appearance of being a well adjusted American girl Agnes had her demons.  It appears that tragedy had a large part to play in her life.  Now, I'm going to take this a bit out of order but we're going to go as far back as 1906 to take a look at the core of her world and that's always been her family.

1929

To say that the year 1929 was a year of tragedy for the Moorehead family would be an understatement.  In the first 7 months of 1929 two family members were lost about 90 days to the day  apart.  The first family member to pass that year was Agnes' beloved grandfather Robert H. Moorehead.

Zanesville Signal
30, April 1929
Aged Civil War Veteran is Dead
Robert H. Moorehead, 90, Civil War Veteran died at 9 o'clock Sunday night at his home in Rix Mills.  He was highly esteemed in his home community.  He served in Company A., Fifteenth Regiment, O.V.I., during the Civil War.
Funeral services will be held at 2:30pm Wednesday afternoon at the U.P. church Rix Mills Reverand Lawrence officiating.  Burial will be made in Salt Creek Cemetery.
Surviving are four children: John H. Moorehead, Dayton, Mark H. Moorehead of the home, Howard Moorehead, Brunswick Colorado, Mrs. Harold Bay of New Concord.

An important note about this obituary is the notation of Mrs. Harold Bay of New Concord.  It appears that Agnes' Aunt Camilla was married at one point in her life.  The reason it seems so odd is that when Camilla died in 1939 she was not identified by her married name at all.  She was identified only as Camilla Urso Moorehead and no spouse predeceasing her was included in the obituary.  At some point between 1929 and 1939 Camilla appears to have become unmarried.  Let us return to the obituary of Robert Moorehead.   We know that Agnes and her sister spent a goodly number of summers at their grandparents home in Rix Mills.  They were both close to their grandparents.   Her father served as executor of Robert Moorehead's estate.  He was not able to file the first and final accounting of the estate until September 19, 1930.  Probably because of the following.

July 1929
Xenia Ohio Evening Gazette
Miss Margaret Moorehead Dies
Miss Margaret Moorehead, 22, daughter of Dr. and Mrs. J.H. Moorehead of  19 Stone Mill Road, Dayton, died at Miami Valley Hospital Sunday morning after a brief illness.  Dr. Moorehead is a first cousin of Miss Margaret Moorehead and Mr. William Moorehead of this city.
Miss Moorehead has been a resident of Dayton for a year, coming to that city from St. Louis last year when Dr. Moorehead assumed the pastorate of Patterson Memorial Presbyterian Church.
She is survived by her parents and one sister, Miss Agnes Moorehead, New York City.  Funeral arrangements have not been completed.

I found only one other mention of Margaret's death and that was in a Zanesville newspaper.  It says that she was a nurse in New York City.  Nurse or brief illness neither newspaper was telling the truth.
It was maintained for years that she had suffered a heart attack as a result of being jilted by a young man named simply Frank.  Her death was a great  deal more troubling than that.  Margaret committed suicide by taking Bi Chloride of Mercury.  Her death was slow and extremely painful.  She had absolutely no hope of avoiding death from the moment she swallowed the mercury.  Mercury poisoning shuts down every system of the body one at a time and causes a tremendous amounts of pain.  The only other person that I've ever read about who chose to die this way was the actress Olive Thomas.   Margaret, especially if she was a nurse,  was completely aware what this substance would do to her body and totally aware of exactly how fatal it would be.  It is often said that suicide is a permanent solution to a temporary problem.  Margaret made sure her solution was completely permanent and something her parents would have to come to terms with over the 3 or 4 days it took her to die.  We know that Molly wrote to Agnes during this time advising her of the situation.  We also know that she spoke with Agnes on the phone during this time as well.  Molly seemed completely clueless and very self involved during these communications.  Either she was putting on a good face or she really didn't understand what Margaret had done nor the effect it would have on her family.  I have to note that some years after the fact during a spat with her mother it is alleged that Molly told Agnes the wrong daughter had died.

Two tragedies back to back and of such great dimension had to have a lasting effect on Agnes.
In addition her beloved grandmother had passed away at the end of 1927 as well.  In a span of two years Agnes lost her grandmother, her grandfather and her sister.  No matter who you are that much stress combined with the stress of relocating to a city the size of New York, working to support yourself in that city and beginning a new course of study on which rested the rest of your life would be overwhelming to say the least.

Continuing on with the topic of Margaret Moorehead.  I did discover one really unusual aspect about Margaret and her relationship with her parents.  It has been taken for granted for years that when Reverend Moorehead assumed the pastorate in Reedsburg Wisconsin that his family moved with him, not the case at all.  In fact, while Agnes went off to college Margaret remained in St. Louis.  She did actually graduate in June of 1925 from Grover Cleveland High School in St. Louis Missouri.  It is why no record has ever been found of her attending school in Reedsburg.  She didn't live there.  Agnes too spent the majority of her free time away from college in St. Louis not in Reedsburg.

July 22, 1926
The Times Recorder
Zanesville Ohio
The misses Agnes and Margaret Morehead of St. Louis have returned to their home after spending the week with their grandfather, Robert Morehead, and family

Agnes started singing on the radio in St. Louis in 1925 and had become a fixture by 1927 being known as the "Girl Tenor."  The above blurb is the only time that Margaret is mentioned in any newspaper article that I have found until her untimely death in 1929.  Whatever the case may be it is a fact that Margaret resided in St. Louis and did not return to live with her parents full time until the fall of 1928 and less than a year later she was dead.  I have not yet found any record of college work done by Margaret but there were then and are still several schools in St. Louis that specialized in nursing.  If she was a nurse she did not attend her sisters Alma Mater and she did not attend the University of Wisconsin.  They were a family divided by choice.

Hamilton Ohio

The first record I found in Hamilton Ohio of the Moorehead family was in the local newspaper, of course, and it is a peak at the demeanor of her father, the man she admired most in the world:

January 11, 1906
Hamilton Ohio
Said The Reverend J.H.Moorehead Last Night
Local Minister Takes a Not Uncertain Stand Against Saloon
Large congregation heard mostly  timely and powerful discourse at a prayer meeting last night, minister is warmly commended by his people.
The Reverand Mr. Moorehead the various phases of the liquor question and, spoke of the effort made by Cincinnati Brewers to put Dan Bauer, proprietor of the Majestic Cafe of that city out of business. The minister expressed himself as having the belief that action was taken was purely selfish and instead of having the interest of the city at heart, the men back of the action were acting purely from a business standpoint, wishing to hit their competitors in business through the Majestic Cafe which handled the beer manufactured by other breweries.
The speaker also said that most of the trouble that the cities are having today is caused by saloons and gambling houses and other places of a similar nature.  But the brewery interest were becoming greatly alarmed and were uniting for their own protection.  Hamilton was feeling the force of a better element of people today more than she ever did before.  The better class of people were taking a stand against the low dives of our city.  This town has been under the yoke of the saloon power for years is slowly arousing from her lethargy and will surely be but a short time when public spirit will assume such proportions as will cause the saloons to cringe with fear and agree to obey every part of the law.  The minister spoke of the probable passage of the county option law and expressed himself as believing that the county of Butler would go dry just as soon as such a law was passed by the state legislature.....
"What we need in this city," said Mr. Moorehead, "in view of the disgraceful plight of our city council is to have one hundred good citizen of Hamilton go to the council chamber and throw out such men as elected of this city, proved traitor to their trust and thrust petty politics before the welfare, advancement and prosperity of Hamilton."

What an eyeful and what strong opinions this colorful gentleman had.  It's easy to see where Agnes learned to emote with such passion.  I've always thought that the majority of preachers were just a stones throw away from show business anyway and the good Reverend Moorehead was no different.  I'm sure that like any good public speaker him practiced at home.  It seems quite likely he was watched by his daughter who later on would strive to be as precise and well rehearsed as her father.

His sermons were every bit as strong as his opinions.  I was lucky enough to discover an Easter sermon written by Reverend Moorehead in 1908.

April 17, 1908
For Now Is Christ Risen
( by the Rev. J.H.Moorehead)
On the Easter sabbath the christian church celebrates its greatest festival.  On that day, its pulpits proclaim its most glorious doctrine.  The incarnation was gigantic, the crucifixion stupendous, but the resurrection has been the greatest of the worlds wonders.....

The entire sermon is simply to long to put in here but suffice it to say that anybody willing to use gigantic, stupendous and the greatest of the worlds wonders prior to finishing the first paragraph is a persuasive and powerful speaker. The more I read about this man the more I became convinced that this man held tremendous sway over his daughter and her view of the world.  Reading the editorial pieces written by Agnes you can see the same pattern of speech, the same emotive style of speech.
She was her fathers daughter.

As I continued on I found blurbs on the Choral Society and Mollie's performance during a recital given by them.  There were book club meetings, visits from Mollie's family, prayer meetings, midnight impromptu weddings, dinners, luncheons, breakfasts, funerals, births and holidays.  It seemed that during their twelve year stay in Hamilton that the Moorehead family was seldom,if ever,idle in any way.
As evidenced by the following:

Butler County Democrat
June 25th, 1905
The funeral services for Dr. Miller will be held at the family residence Friday afternoon at 2 o'clock, the Reverend J.H. Moorehead officiating

June 21st, 1906
The ladies missionary society of the United Presbyterian Church, held a meeting in the home of Miss Stoneker, in Trenton Thursday afternoon.  After the meeting the home which Miss Stoneker had built for herself was dedicated, the exercises being conducted by the Rev. J.H. Moorehead, pastor of the United Presbyterian Church.  The dedicatory address was appropriate and at the conclusion, Rev. Mr. Moorehead named the new home "Rest Cottage" and those present sang "Home Sweet Home."

May 3rd, 1906
Wm. F. Gundhofer, age 36, railroad contractor, of Cincinnati Ohio and Carrie M. Meyer age 33, of St. Charles were married.  The Reverend J.H. Moorehead officiating.

April 11th, 1907
Reverend Moorehead of the United Presbyterian Church, was visited but that minister was absent and it is not know whether the couple finally landed into the bonds of holy matrimony or not.

August 1st, 1907
Baby Schmidt Dead
Margaret Catherine Schmidt, the month old daughter of Wm J. and Estella Schmidt, died at 5 o'clock this morning.  The funeral will be held at the house Thursday afternoon at 2 o'clock, the Reverend John Moorehead officiating.


Hamilton Daily Republican News
January 21st, 1906
Surprise at the Manse
About fifty members of the United Presbyterian Church surprised Mrs. William S. Spang, sister of Mrs. J.H. Moorehead, at the manse last night.  The crowd swooped down unexpectedly upon the manse and enjoyed an evening of rare pleasure.  During the social hours taffy pulling was engaged in and music and songs assisted in making the occasion a most delightful and happy one.  Mrs. Scott returns to her home in Scottdale Pennsylvania Wednesday morning after a pleasant visit in Hamilton.  She has made so many friends during her sojourn her in this city.

October 5th, 1906
Death of Miss Susie Brown
....The funeral will take place tomorrow Saturday afternoon at 2 o'clock at the family residence, Reverend J.H. Moorehead officiating.

January 9th, 1908
United Presbyterian Church to Celebrate Special Services This Week
The pastor Reverend J.H. Moorehead, has preached every night thus far and will preach at the prayer meeting tonight.  The meetings will continue until Saturday night of this week, and may extend over all of next week.

January 28th, 1908
Announcement of Bible Club meeting at the home of Reverend and Mrs. John H. Moorehead

March 7th, 1908
The Reverend Mr. Moorehead will speak at 3 o'clock this afternoon on "First Things First" at the YMCA.

One very interesting piece I came across had the following information provided by a woman who had known the Moorehead family when they resided in Hamilton:

Journal News
Hamilton Ohio
May 26th, 1974
It did not take long to notice the large beautiful Saint Bernard dog which lay on the porch of the parsonage of the United Presbyterian Church, then located next to the church.  We lived on nearby Monument Avenue.
The dog, just a pup really, looked up at us appealingly.  I wanted to pet him, but he sadly looked at us and scarcely moved.  I asked Reverend Moorehead if I would be permitted to come into the yard.  He said "Certainly," and explained that the dogs back and hind quarters were weak having grown too fast.
I opened the get and went to the porch to see and pet "Don" as he was called.  Immediately we became good friends and Don struggled to his feet to get up and follow me to the gate when I left.
Thereafter he watched for me and soon came to visit our home nearby.  The Moorehead children too often played with the four children in our family.  Agnes and her younger sister Margaret were well acquainted with our neighbors and to us.  Every Sunday Don would nose his way through the crowd leaving the services until he found me.  Then his great paws would reach up to my shoulders and he would lick my face and nuzzle his soft furry head in my neck.  Then triumphantly waving his beautiful tail he led me home staying for a while for play, petting and companionship.  Don was my faithful pal until the family moved away from Hamilton.
Helen Kiesling

The community was greatly saddened by their departure in 1912 and threw two farewell banquets in their honor.  In fact just days before the Titanic sank the Reverend and his wife were given a farewell banquet.  Mind boggling isn't it.  The Moorehead family would remain connected to Hamilton Ohio for a very long time.  They made trips back to visit as illustrated below:

Hamilton Evening Journal
September 3rd, 1918
Reverend and Mrs. John Moorehead and daughters Agnes and Margaret have returned to St. Louis after a visit to Dr. and Mrs. G.A. Hermann and Mr. and Mrs. Joseph L. Blair.

April 3rd, 1932
Dinner Party for Reverend and Mrs. John H. Moorehead
Honoring Reverend and Mrs. Moorehead a group of friends met for dinner on Tuesday evening at the Anthony Wayne Hotel and later on adjourned to the home of Dr. and Mrs. J.B. Stewart on East Avenue for a pleasant social evening.
Reverend Moorehead was a former pastor of the United Presbyterian Church and he and Mrs. Moorehead are planning to leave for Dayton shortly, therefore this happy gathering was arranged.

They were gone but certainly never forgotten and they definitely never forgot Hamilton.  I think it may have been one of the best times they had as a family unit.

St. Louis

1913 found the Moorehead family settled in St. Louis.  Their residence was located 4466A McPherson Avenue.  Agnes turned 13 in December of 1913.  She entered her teenage years in a metropolis that was humming with activity.  As the family settled down Agnes would have entered the equivalent of middle school today.  By 1914 the family had moved again and were now living at 1762 Forest Avenue.  Agnes would be going to Central High School and her identity as an actress was beginning to form. 
Agnes would often go to the vaudeville halls and wait by the exits hoping she would not be identified as she waited for performers to come out so that she could collect autographs.  She loved Eleanor Duse, the noted actress, even taking it upon herself to write Madame Duse to ask for an autographed picture.  She received that picture from Madame and it became a prized possession.  In fact many, many years later in the 1960's she would name a beloved dog Duse in honor of the great actress.

Agnes also loved attending silent films at the Aerodrome.  She would memorize scenes from the pictures and go home to recite them in front of the mirror in her room.  Believe it or not she was also scientifically inclined.  When she entered Muskingum College she committed to a course of study in biology.  She would graduate with a bachelors degree in biology belying her interest in acting.  She was a bit of a rebel though.  It was a rebellious act the landed her on the stage of the Municipal Opera in St. Louis.  She said she hadn't gone there with the idea of auditioning for the opera but had gone, instead, as support for a girlfriend who wanted to audition for the chorus.  The year was 1915 and in a highly uncharacteristic move Agnes cut class to go to that audition with her friend.


How I Lost My Shoe While Dancing At The Opera

Agnes agreed to go to the open audition with her friend but she was going to stand in the background while her friend went through the paces.  Instead she found herself beside her friend on the stage auditioning for a part as a dancer in the first performance at the Municipal Opera. As they began the process she did not expect what happened next.  She found her friend eliminated from the audition and she found herself moving forward in the audition.  She said that before she had the opportunity to faint so that she could excuse herself they tapped her on the shoulder telling her that she would be a dancer in the chorus.

She was so terrified because she was now going to have to go home and confess to her father the pastor that she had cut class and as a result of cutting class to support her friend she had herself stumbled into the entertainment profession.  Having been taught that it is always best to tell the truth she did just that.  Owning up to her crime she found herself staring at her father expecting the worst.  How surprised was she that he simply asked her how much tickets would be so that he and her mother could attend the performance!  She rehearsed like a fiend.  Every movement.  Every nuance.  Every beat.  Finally, opening night arrived.  Everything was going just fine until she got slightly over exuberant with a kick.  Off came her shoe sailing into the audience and into the lap of a gentleman who subsequently stood up holding the shoe aloft in excitement as though he'd just won a huge prize.  She ran from the stage in mid performance.  She paced fervently backstage in tears assuming that her career was over.  She was completely mortified.  Pacing and mumbling and crying she suddenly found herself face to face with the artistic director.  Instead of scolding her she was told in quite a supportive  manner that she was wasting her talent in chorus.  With emotive skills such as she was displaying she should be at the front of the stage as a principal performer.  An actress was born in that very instant and her world as well as our own would be forever changed.

Coming in the next installment
The Muskingum Years

The Swinging Sixties Agnes Style

1959 would be the very last time anything about Agnes Moorehead's intimate relationships would appear in the newspaper as general fodder for the masses.  She attended a party given by the clothing designer Don Loper that was in the Hollywood Gossips columns because Loper had spun a tale about a snake dinner that was given in his honor in Hong Kong forcing at least one of the attendees to spend nearly the entire evening in the bathroom being physically ill at the thought of eating snake.  The blurb is one short line that says simply that Agnes had attended the evening on the arm of a new "Egyptian" beau.  I have not been able to determine who this person was as there is never a name given.  I would have to guess that he was simply one of the gentlemen that Agnes used to escort her to private or public events during the 1960's.




The 1960's were the beginning of a revolution in America.  The morals of the 1940's and 50's were being replaced by the "Love Generation."  Everything that had been taboo for ages suddenly became the everyday norm.  The "Sexual Revolution" was taking the country by storm.  The older generation did not approve of the wild ways of the younger generation.  Suddenly one was pitted against the other.  Agnes was part of the older generation.  She had little time for what she deemed to be the lazy reflection of today's society.  In the early 1960's she made a series of movies that were good wholesome family entertainment.  Pollyanna and How the West was Won.
Agnes had begun appearing on television in the late 1950's when it was in its infancy.    She began 1960 by playing Mombi on The Shirley Temple Show.  During 1961 she appeared in the situation comedy My Sister Eileen as well as show called Harrigan and Son. In 1963 she appeared  in a single episode of a show called Channing.  She punctuated these performances with a series of dramatic readings on a show called Studio Three.  She saw the future and knew that television would become to our generation what radio had been to hers.  She approached it with the same kind of dedication and vigor that she had demonstrated with radio becoming a familiar face to audiences nationwide.  Soon she would begin a journey that would forever engrave her image on the hearts and in the minds on millions of people world wide.


I Can Only Play So Many Witches Can't I?

As the story is told it was a chance meeting with Elizabeth Montgomery while both were shopping in New York City that led Agnes to the part the would forever be associated with her.  It is said that Agnes' outrageous sense of fashion, distinct pattern of speech and exaggerated mannerisms attracted Montgomery's attention in the store.  Agnes, it seems, was looking for a particular color of ribbon and was issuing requests with the authority of a 4 star general.  It rang a bell for Montgomery who, along with her husband William Asher, had been working on the idea of turning the motion picture story line of "I Married A Witch" into a half hour sitcom for television.  They had already settled on the idea of Elizabeth playing the witch wife and had made some movement toward casting the part of her husband but they had hit a brick wall with the theme of a parent being involved.  For those of you who are unfamiliar with the movie "I Married A Witch" it was released in 1942 and starred Veronica Lake as a beautiful 17th century witch freed from her imprisonment in an old oak tree to persecute the descendants of  the man who imprisoned her in an old oak tree along with her father hundreds of years before.  Both Montgomery and Asher wanted the presence of a parental figure for the young witch but simply were unable to come up with anyone who would fit the bill.  That was until Montgomery crossed paths with Agnes in Bloomingdale's Department Store.   When Elizabeth returned home that day she announced to Asher that she had found "mother."  Agnes was offered the part and accepted it whole heartily believing that the show would amount to nothing and would never be picked up by a network.  She was incredibly surprised when it was picked up by a network and often grumbled about the "treadmill" of television but I think in reality while it was a tiring schedule she loved the limelight that it threw on her.  In a very short span of time Agnes, who was already highly recognizable, became the type of star she had always dreamed of being.  Instantly recognizable all over the globe.


You Have My Encouragement and Best Wishes 

It was during her time on Bewitched that Agnes began her transformation into the aloof, opinionated, religious, conservative that would define her for the rest of her life.  She used her celebrity status to speak her mind in all manner of public forums not the least of which was the newspaper.  She wrote many an editorial piece just like this:
 Actors Need Academy, Star Contends
July 15th, 1967
Hollywood California (AP)
Acting is too often looked upon as a gifted art.  This may be but having the gift is only the beginning.  It must be honed and developed by training and experience.
In the profession today we have many stars with talent who lack the discipline and dedication that comes with training.  
The Mercury Theatre Players in the 30's and 40's was a group of actors that practiced both.  We wanted to learn, to experiment, to contribute to entertainment.  To us study was the very important first step in any performance.
Must Be Prepared

This is why casting directors keep using some performers over and over again.  They know what they can expect from them whereas it would be a gamble to give a role to an actor whose work they don't know.
Consider this a bid for the establishment of a National Academy for actors.  Many of the professions ills can be attributed to the lack of an institution that would give neophytes the thorough training they need.
Into this academy would go the ideas and thinking of the best people in the entertainment world.  The graduates would be the stars of the future.
Helps Audiences Too
The American theatre and the public would benefit from the academy as much as the young actors and actresses who attend.  Once they master their craft learn the value of discipline and the importance of hard work they will be more capable of entertaining appreciative audiences.
Here in America we would have no trouble finding students for the academy.  there are many young people with talent in this country.  They are the hope and future of the American theatre.  We just need a place where they can be trained properly.
To those young readers considering becoming a performer I send my encouragement and best wishes.  To you who think acting success comes overnight I can only say you have a great deal to learn.

These ideals were pure Agnes and she reiterated them as often as she could find a forum to iterate them in.  She had begun speaking on this topic at college and universities in the early 1960's prior to the success of Bewitched.
Agnes Moorehead: Acting Is Work
January 2, 1962
Costa Mesa California (UPI)
Agnes Moorehead says today's young actors are lazy reflections of an "age of mediocrity" in the theatre, movies and television.
"Drama is not great when it's a roll off the curb into the gutter." she told students at Orange Coast College.
It takes plenty of work to become and actor, said Miss Moorehead, in show business since she was three years old and holder of a doctorate in Speech from Columbia University.

She had also begun the art of rewriting her own history.  A more accurate statement would be to say she did not seek to correct flattering errors.  She hadn't been in show business since she was three years old.  She had sung publicly at her father's church somewhere around the age of three.  She didn't have a doctorate in Speech from Columbia University.  She did have an honorary doctorate in Speech from Columbia University.  Agnes was guilty of stretching the truth.  By her own admittance she had been doing it since she was a child.  Often she would spin great long tales about some fantastic occurrence and her parents did not see that as an issue.  They saw it as being a child at least according to Agnes they did.   However, it was a habit she did not outgrow.  She was known to make up fantastic tales and to tell them to people who very obviously knew they were not true.  Joseph Cotten and his wife witnessed one such event during their stint with Agnes in "Prescription Murder."  Agnes spun a great long yarn about being in labor and the delivery of her son Sean.  Once she finished she simply stood up and left the room.  Nobody called her out on just as nobody had called her out on it as a child.  They simply accepted it as a personality trait they could do nothing about.  Paul Gregory is alleged to have said in an interview for a biography many years later that it was a part of her personality that he found troubling. This is one of the most public examples I have found.  Agnes was interviewed for a magazine article entitled  
"You May Come Close But Not Too Close."
Bernice Mason
So much mention has been made of her stellar career, but details of her personal life are not known.  There are things that have set people to wondering.  Signs....trail signs.  Signs that aren't actually there but you read them anyway--like Private Property, No Trespassing, and Stranger, Keep Out.  There also seems to be a general impression that she lives within a created impenetrable fortress composed of layer on layer of self protecting covering, perhaps to guarantee the safety of a hypersensitive spirit against the knife thrust of living...a fortress to which nobody would probably lay ruthless siege but which evokes the wonder if this fine, beautiful granite strength would crumble at too cruel a jest, too sweet a song, a too knowing surgeon's probe.
 We perceived that our questions would have to be abrupt and direct. 
"Are you married, Agnes?"
"I was married--twice.  My first husband died.....The second one I divorced."  She speaks of it with a surprising lack of interest.  "I've been single since 1954,"  she adds--the only information she was to volunteer.
"Do you have any children?"
"My foster son Sean."
"How did you find him?  How old was he then?"
"He was a year and a half old.  My doctor told me about him...He was a legitimate child with about 14 brothers and sisters.  His mother had put six of them up for adoption.  Sean was very anemic, his little eyes were crossed, he had  bad teeth and a spot on his lung."
"A foster son....You didn't think of adopting him?"
"I couldn't.  I was single at the time and single women then weren't permitted to adopt babies.  But I took him into my home and raised him as my own son.  He's grown now and has gone out somewhere on his own."
"You don't know where he is now?"
"No, I haven't heard from him in quite a while."  There is no emotion in the things she says.  Now, quite suddenly, she flashes a most unexpected and radiant smile. "But that's all right.  That's the way boys are."

She doesn't dwell much on what she doesn't have: the son who has gone, the husbands of yesteryear, the hundreds of acquaintances-but only two friends; the absence of anyone close to give her affection, the final lack of any present romantic interest. 
"I don't know why I shut it out," she confesses. "I don't know why.  I haven't sought it, it would have to come to me.  I can't go out and get involved in some scandalous affair--I owe something to the public that has kept me going.  And....I'm not really alone.  I have many pets-- three dogs and three birds.  And then there are the two girls who work for me--one has been with me for 20 years, the other for 14.  They look after me and take good care of me.  As for personal loves---you can't always depend on a human being, you know.  Then again, I seem to need a certain amount of solitude.  It renews me.  Solitude enriches ones being....."
 
 Agnes flat out lied about Jack Lee being dead.  He was very alive and living in Hollywood.  In fact he had started collecting his social security in 1967.  Jack did not pass away until October 1974 near six months to the day of his former wife. It also seems odd that she would make a point of including her second marriage at all.  They were both traumatic in different ways.  Her detachment from reality is very palpable in this article.  I think her need for fantasy stemmed from a childhood that was not necessarily as idyllic as she often spoke of it as being and it provided her a means of escape from that reality.


Coming in the next installment:
Going Back, Way Back, to the Very Beginning

Thursday, June 9, 2011

The Gist of the Matter or What's the Matter With Robert Gist?

One cannot write a line about Agnes Moorehead without talking about her personal relationships.  Twice married she divorced her second husband in 1959.  He was a man of  interest as was her relationship with him.  Of course the only two people who can say with any certainty what actually went on between them are dead but a great deal can be gleaned from learning about the man and separating fact from fiction regarding his history.

If you choose to believe the Internet Broadway Data Base Robert Gist was born June 16, 1924 in Miami Florida.  However, if you choose to believe the Internet Movie Data Base you'll be a whole lot closer to the truth but not exactly on top of it.  IMDB says he was born October 1, 1917 in Chicago actually he was born March 1st 1917 in Chicago.  A least the year is correct.  In any case he was at least 17 years the junior of Agnes according to his Social Security death record.

He was born Robert Marion Gist.  His parents were John Marion Gist and Winifred Josephine McMahon.  He has been described as growing up in tough circumstance and allegedly was somewhat of a reform school boy.  He grew up on the East side of Chicago.  His father John, who went by Marion, worked for the railroad as an engineer.  If you look you will see that the social security number issued to Robert was issued via the railroad that his father worked for.  Marion Gist was from Kentucky as were his parents.  He apparently came to Chicago around 1910.  Winifred McMahon was born in Illinois.  Her father was from Ireland and her mother, according to the 1920 census, was from England.  The story of him being from difficult circumstance does seem to hold water if you look at where he came from.  The story goes that he injured another boy in fist fight and was reform school bound.  He ended up at Hull House in Chicago and that was what apparently made the difference.

According to the IMDB he worked in radio in Chicago and went from there to Broadway where he appeared in Harvey with Josephine Hull and subsequently made his motion picture debut in Miracle on 34th Street as an uncredited window dresser, the year was 1947.  The first mention I found of him was in a Nebraska Newspaper:

The Nebraska State Journal
November 8th, 1944
To Theater
First Lieutenant Robert Gist was a gunnery officer during the Guadalcanal invasion and went through three major engagements without a scratch, although in one of them his company suffered a seventy three percent casualty rate.  Then a mosquito got him down.  Recovering from a malaria attack he went from 175 to 128 pounds.  Now he is coming to Broadway in Frank Fay's supporting case of "Harvey" which opens New York, November 1.

I assumed, incorrectly, that this would be the beginning of the story and then I decided to look a little further.  Lo and behold there was more to the hero mentioned above than the almighty IMDB knew anything about.
It seems that the troubled boy had some ambition and some ambitious parents.

Southeast Economist
Chicago Illinois
November 10th, 1938
Mr. and Mrs. Marion Gist and their son Robert,
formerly of  461 East 83rd Street are now settled
in their new home at 7930 Rhodes Avenue.

Southeast Economist
Chicago Illinois
November 3, 1938
Robert Gist, of the Rhodes Avenue Gists,  Has the
leading role in "Gangster" which opens at the Goodman
Theater.

I was blown away that someone with so much apparent clout because of an apparently stellar military history and a successful career in Chicago would fail to mention either on his resume.  Not once in any bio that I've found does Gist converse about his harrowing escape from death or the show "Gangster," or the upwardly mobile status of his family delivered in the blurbs from the newspaper in Chicago.  If it were me, I'd talk that up all over the place.

I took a look at the military records and I found that Robert M. Gist enlisted on January 28 1941 in Chicago.  He was noted as having accomplished 4 years of college.  No mean feat considering his hard scrap roots.  If the enlistment records are accurate he was finishing college around the time he starred in "Gangster" in 1938.  He was inducted as a private and identified as an actor who was single.  They did not document what company he was assigned to or what battles he fought in.  But it seems he saw heavy combat and as the small newspaper article of 1944 says only to be felled from by a  little mosquito.  To lend credence to the story there is a photograph of him in uniform above it and it definitely is the same man that married Agnes in 1953 in Yuma Arizona.



I am curious to know what change of fortune occurred that took him from the child of the mean streets to a college man.  It doesn't say anywhere that he actually graduated from college but I assume the military records lend credibility to his being a college graduate.  The dates of the battle of Guadalcanal also gel with his date of enlistment having occurred between August of 1942 and November of 1943.   The interesting thing is that generally college graduates enlisted as officers.  The blurb from 1944 identified him as a First Lieutenant and a jump like that in a span of three years seems not just improbable but close to impossible.

Let's return for a moment to the ambitions of Robert Gist and his family.  If you take at face value everything written about Agnes Moorehead you believe that she met Robert Gist while filming "The Stratton Story" and you believe that their relationship did not begin in earnest until the divorce proceedings with Jack Lee were underway.  I've got a shocker for you.  It seems that Agnes played hostess to Robert's parents, you know the poor ones from the south side of Chicago, in November of 1949.  It seems that Marion and his wife "motored" to the west coast where they were graciously hosted by Agnes who had simply met Robert while filming "The Stratton Story."


Southeast Economist
November 3rd, 1949
Chicago, Illinois
Mr. and Mrs. Marion Gist, 7930 Rhodes Avenue have returned
from a motor trip to Hollywood where they were guests of 
Agnes Moorehead.. They visited their son Robert, who
played a part in "The Stratton Story" as did Miss Moorehead.

I had to stop and ask myself when the last time was that I put up the mother and father of someone I had met during a brief stint of employment?  To be honest I could not come up with one instance during which I had done anything close to that.




Don Juan in LA

Robert Gist truly seems to have been the earthly reincarnation of Don Juan. It seems fitting that he should have stage-managed that show especially in light of the circus that seems to have been his private life. The most unfortunate aspect of all of this seems to be the number of people he violated and kicked aside during his brief but meteoric rise to the top of the Hollywood ladder. There are women and children punctuating his life of which he neither seems to take little notice nor appears to have any compassion for. I believe, although as I’ve stated before the only 2 people who know for sure are dead, that he plotted and planned every single blessed inch of this nearly 20 year stint from 1949 to 1969 for his sole benefit. If one judges him purely on his apparent actions one can only assume that today he would be referred to as a “player.” Let’s take a look at his list of conquests:

1. Louise Van Dyke whom he marries August 14, 1943 in Chicago Illinois. Louise literally disappears and I can find no record of a divorce in New York, Illinois or California to date.
2. Agnes Moorhead whom he marries in Yuma Arizona February 14th 1953 and is divorced from March 1958 in California.
3. Phyllis Jeanne Moore Colville. There is no record of marriage in California between Gist and Colville. There are 5-recorded births naming Gist as the father and Colville as the mother, however, two of these do not allow for 9 months of pregnancy between the last children and the ones in question. I must assume that they cannot be the same parents.
4. Jacqueline Franklin Mickles. There is no record of marriage for them but there is a record of divorce in July of 1966 in Los Angeles California. There are 3-recorded births naming Gist as the father and Mickles as the mother.
5. Edwina Muehlberger Pegram whom he married April 14 1969 in Los Angeles. There is no record of a California divorce but Edwina remarries in 1973.

The real curiosity of all this lies in the birth dates of the children fathered by Gist. The fact that there appear to be two women with whom he sired children during the same span of time lends support to Agnes’ story that she was called by various women who urged her to divorce Gist quickly. In light of the contact between these various women and Agnes I can only assume that Colville and Mickles were both aware he was legally married to someone else and that listing him on the birth certificates of his children as their spouse was done strictly to give their children legitimacy. Here are the children born to both women in order of their birth dates:
1. David L. Gist 1956 mother Colville
2. Jason Gist 1958 mother Mickles
3. Jeanne Gist 1958 mother Colville
4. Jeb Gist 1960 mother Mickles
5. Elizabeth Gist 1961 mother Colville
6. Jacqueline Gist 1964 mother Mickles

It appears that he did not father children with Louise Van Dyke or Edwina Pegram. At least one of the children listed above has publicly referred to Agnes as his “Stepmother.” So either they were aware of her and she wasn’t aware of them or she was not in a position of any kind to use this ammunition to rid herself of Robert with a minimum of expense and time. He was divorced from her awarded real estate and in some cases appears to have been awarded alimony of $1.00 per year. It has been alleged that she spoke to her attorney at the end of the process and told him to write a check for twenty dollars to Robert so that she wouldn’t have to deal with him again for at least twenty years.

The other thing that must be considered is that during his time with Agnes she became a foster mother to the young man she called Sean and in several newspapers it is alleged that they adopted him. It also alleges that he, like Agnes and Robert, had red hair. I have to believe that because Sean may have looked at Robert as sort of a father figure Robert’s behavior must have had some influence or effect on Sean. Perhaps some of the difficulties that Sean had in his later years were the result of the behavior he undoubtedly witnessed as a young child in Agnes’ household.

The bottom line is that the separation and divorce from Robert undoubtedly robbed Agnes of her dignity and certainly played havoc with her already strained ability to trust others. It is post 1959 that Agnes begins to withdraw from the public and begins the ironclad grasp on her personal life that she would come to be known for. She did not discuss Jack at all publicly at all. She rarely spoke of him privately except to say he was a violent drunk. She never discussed Robert publicly by name. When she spoke of him privately she spoke of him as the “Malaria Kid” and was very aware that she had been deliberately used to further his career. She made a point of telling interviewers that she did not discuss her family at all. Her detachment from Sean was a very visible thing that she never acknowledged to anyone. She completed her fortress of air with her divorce from Robert and nobody but nobody was going to get beyond that boundary again. Or would they?


The Fabulous Redhead Is Reborn

As 1959 drew to a close the once brilliant movie career of Agnes Moorehead was showing signs of dimming. Her personal life was a disaster that she had spent the last 5 years attempting to put back together. She was a victim of her own brilliance really. She had built her reputation in Hollywood on the back of several stellar movies in which she played characters that she would never be able to duplicate. She had run afoul of typecasting. She was a maiden aunt, a hysterical mother or a harpy born of the feverish imagination of a screenwriter. She gave 200 percent of herself in everything she did but she was only ever going to be as good as the part would allow and her age was pushing her toward parts that she found unappetizing. 1959 finished with the release of “The Bat.” For me, although Cornelia Van Gorder is an amusing character, this movie is the first low point of her career. The camp of the part would have swallowed a lesser actress but not Agnes, she was a phoenix and this would be the rebirth of  the "Fabulous Redhead."


I point to the character of Cornelia as the rebirth of the “Fabulous Redhead” because with this part Agnes loosed for the third time in her career her ability to be a comedienne. She suddenly seemed to let go of the tragedy and embrace the comedy. She created in that role the embryonic Endora. Cornelia was flashy, tart, forward, strong, determined and most of all did not give a damn what anyone thought about her. At that point Agnes was simply playing Agnes or Endora, one in the same really.

As the phenomenon of “Don Juan In Hell” faded Agnes had been confronted with a series of not so hot parts. She did them because they paid the bills not because they would ever be considered a fine dramatic moment but something else was going on behind the scenes. A phenomenon in itself it was a one-woman show called “The Fabulous Redhead.” It was the brainchild of Charles Laughton. During his time with Agnes in “Don Juan” he was impressed with her ability to converse, tell stories, emote and play comedic bits. It was under his tutelage that she began formulation of “The Fabulous Redhead.”


The birth of this child of theatre was to have included Robert Gist, however, fate intervened and he was cast in “The Caine Mutiny” in New York. I’ve often asked myself if Laughton had done that on purpose? He pushed Gist right into the part and right out of Agnes’ professional and personal life. The first performance of “The Fabulous Redhead” was scheduled to have taken place in January of 1954 in Reno Nevada but it was postponed allegedly because Gist could not free himself of the obligation of "Caine Mutiny."  Initial press releases had included Robert in the credits but by the time it actually opened in Reno in April of 1954 it did so without the presence of Robert Gist. The really great thing is that people loved it. They loved Agnes and they loved her ability to make them feel like they were being spoken to directly. This was a gift that she would use repeatedly over the next 15 years of her life doing the same show by herself on as many stages as she could stand to get out of bed and get on to. It would go through many incarnations, “The Fabulous Redhead,” “Lean Closer and I’ll Give You an Earful” and finally “The Lavender Lady.” The latter was nickname given to her by Laughton and it is the one that the majority of us remember her for because it was, fortunately for us all, the one that got recorded.



The next installment will begin with
The Swinging Sixties Agnes Style

Wednesday, June 8, 2011

I Lead A Conservative Sort of Life

I Lead A Conservative Sort of Life

Documentation of The Not So Conservative Life of Agnes Moorehead



The tale unfolds.
For many long years I’ve been interested in the life of Agnes Moorehead. As a child I grew up knowing that she was a distant relative and I, like every other breathing “Baby Boomer” on the planet was fascinated with the character I associated with her, Endora.

It was not until the fad for genealogy that prompted digitization of huge amounts of information that I would become personally familiar with the person named Agnes Moorehead as opposed to the image of the person herself.  In doing this research, in part for family documentation and in part out of curiosity,  I discovered everything I knew or thought I knew was a version of the truth open to the interpretation of the reader of the information.

The very first half-truth I discovered was her date of birth. If you believed everything you read, and back in the day we did because there was no way of verifying it, you thought that Agnes was born on December 6, 1906 in Clinton Massachusetts. It didn’t take long after the digitization of record to learn that she had shaved 6 years off her age. In all honesty most women in the entertainment industry did alter their birth dates or place of birth to keep up with a field that demanded, even then, that you be younger, faster, and more beautiful at any cost. But why six years it seemed such an odd number to me. Ten yes, five definitely but six? In plowing through records and books I took notice that in the only biography written about her talked, albeit briefly, about a sister. No other paperwork of any kind mentioned any siblings. I had come to think, as most people did, that she was an only child. It wasn’t until I began reading census records, I still blame them for my trifocals, that I found in Saint Louis in the year 1910 the Moorehead family. Reverand Moorehead, Mary Moorhead, Agnes Moorhead and Margaret Moorhead. I felt as if I’d hit the mother load. Not only was there a sister but a sister who was born in 1906. I continued reading census records and located the family again in Reedsburg Wisconsin on the 1920 census. The 1930 census was not yet available so I moved on to other family things.

I stopped looking at documents for well over a year, actually probably closer to 2 years. It wasn’t until the sight Ancestry.com started loading newspapers into their database and updating their census files that I would start again in earnest reading. As the technology improved so did my ability to research. I have continued reading ever since. I also began the process of obtaining family documents to support the research I was doing online. I finally managed about three years ago to get my hands on the game-changing piece of documentation, the death certificate of Margaret Ann Moorhead. Peggy, as her family knew her, committed suicide in 1929 by drinking Bi chloride of Mercury. It seemed that Agnes had paid homage of sorts to her sister by taking her sisters year of birth.

I was actually shell shocked when I found out about this suicide. It made me look at Agnes in a completely different way. I found that I was open to a perspective that the vast majority of people who were interested in her would never see let alone understand. The psychology of her creation, her forensic psychology if you will, became the tablet I began to tell her story on. Suicide is a burden even today but then it was a scandal, a mark of shame, a genetic weakness and something that a family did not talk about ever.

As I read through a letter that Agnes wrote to her sister after her sister’s death it chilled me to a level I had not expected. What torture to have to endure being the one left behind to carry the weight of family expectations. Many long years later during an interview with Boze Hadleigh Agnes said that marriage was an expectation, something that had to be done and so she did it. I began to run through scenarios in my head of what life would have been like for her had Peggy not taken her own life. It is my firm belief that she would have remained single her entire life because Peggy would have taken on the burden of marrying and producing grandchildren there would be no need for her to do the same thing. It was an established pattern in her father’s family. Her maiden aunt Camilla Moorhead never married along with an uncle who remained a bachelor. She would have been able to do as she pleased and nobody would have been put out by it one bit. She would have been free.

“John, she’ll get her name in the paper!”
In a bit from her one-woman show Agnes poked fun at her Aunt Cam’s concern that she would gain notoriety that was disrespectful if she pursued her career in the performing arts. I used to laugh at it thinking Agnes was a paragon of virtue and I had never seen her name in any paper except to announce an appearance or give a television schedule. I could not have been more wrong if I had deliberately tried to be.

Centra, although at the time she was a married woman so it seemed odd that she would have a roommate, everyone had to do with radio. The further down the history line I went the more I found radio, radio, and more radio. Then in 1941 the game changed again she was beginning to make a name in motion pictures.

The Hollywood Tabloid has existed as long as Hollywood itself. We’ve all read one and we’ve all read the gossip that they throw out. Back in the 1940’s it wasn’t a tabloid world it was a neatly groomed press machine that told you exactly what to believe and whom you should believe it about. They did it in movie magazines and directly to the newspapers. The nation devoured it and most importantly, they believed it. But every once in awhile a piece of news not rubber stamped by the studio machine made its way into the mainstream.  Mostly having to do with court events or family tragedy they are out there if you look closely enough.

Once I began reading the newspapers of the 1940’s I began to see her name becoming a standard mention. She would firmly plant her feet in Hollywood with an Oscar Nominated performance in “The Magnificent Ambersons.” The Foreign Press Corp awarded her a Golden Globe for her performance. The world took notice of her and she took notice of them right back. She began to feel the need to control what was printed about her. She openly courted the opinion of Hedda Hopper and won her over. From that point forward she would begin a tightly fisted control over her public image.



The Volcano Goes Off.
Agnes went out of her way to achieve good press. She ate it up by accepting honorary degrees from her Alma mater or by donating time to help support the troops. She created visions of a perfect life. Her perfect life was horribly, horribly flawed though because she could not control the man she had married. A would be actor whose career, unlike her own, went absolutely no place. They had started out on even footing but John Griffith Lee could not keep pace with his wife no matter how hard he seemed to try. You see, Jack, as he was called, was quite docile and happy as long as he was permitted to be the man of the family but once his wife stepped into those shoes he became a belligerent drunk with a very bad temper.

For the first four years or so life was quiet on Monte Mar Terrace in the Lee household but then August 25th 1945 happened. The illusion was shattered and the newspapers noticed.

Hollywood August 25 (UP)
Actress’ Husband Barred From Home
Fearing bodily harm actress Agnes Moorehead today had her husband, Jack G. Lee, barred from their home and filed a suit for separate maintenance.
In her suit, filed in the Santa Monica Branch of Superior Court, Miss Moorehead expressed fear that her husband of 15 years might attempt to destroy their home. Superior Court Judge Clarence M. Hanson issued a temporary order barring him from the home.
She asked maintenance of only $1.00 per year, saying she is able to support herself.

It would not be until October 7, 1946 that they would reconcile for the first documented time.




Over the next 3 years Agnes maintained control of the media output surrounding herself and her husband. There would be a visit to the family farm complete with happy shining pictures. There would be articles about her flying to New York to spend Christmas with him while he was appearing in a show. There would articles about her home showing photo’s of her cooking for him. It appeared as though everything was just right. The key word is appeared. Under the surface tension was rising like a volcano. In 1949 the volcano blew and the results were down right horrendous.




May 8, 1949
Nevada State Journal
Reconciled
Agnes Moorehead and her husband Jack Lee have reconciled after a 4-day trial separation.


June 9, 1949
Nevada State Journal
Hollywood
The Agnes Moorehead-Jack Lee marriage is coming apart at the seams.

June 15, 1949 Agnes filed for separation from Jack again but this time he remained in their Monte Mar Terrace home and she was residing at the beach. The majority of what follows are blurbs about movies. One is even tempted to forget about the problems until May 16, 1950. Then the door to her private life is kicked open with tremendous force and everyone settles in for what promises to be a long drawn out fight.

May 16, 1950
Married 19 Years Files for Divorce
Los Angeles May 16 (AP)
Actress Agnes Moorehead, suing to divorce actor Jack G. Lee her husband of 19 years, says she does not want alimony. She charged cruelty in her suit filed yesterday and said they separated last June.

June 1, 1950
Portsmouth Herald
Portsmouth New Hampshire
Actor Jack Lee is blocking the path for a Reno divorce by his estranged wife, Agnes Moorhead. The community property fight may be a bitter one.

August 15, 1950
Actor Does About Face, Sues Ex-Wife
Los Angeles August 15 (UP)
Actress Agnes Moorhead’s husband demands $200,000 in community property in a counter divorce suit.
Radio-television actor Jack G. Lee charged the actress with extreme cruelty and asked that he be given all the property including securities, three automobiles, two Ohio farms and a home here.
Miss Moorhead in her divorce action last May said all the property was acquired by her earnings and should be considered hers alone. Both she and Lee are 47. They married in 1930.


August 25, 1950
Berkshire Evening Eagle
Pittsfield Mass
Table Missile Held Divorce Grounds
Los Angeles August 25 (AP)
Among other things, says actress Agnes Moorhead, her estranged husband threw a table at her.
She wants a divorce. So does Lee, a radio actor. Both want all the community property estimated at $200, 000. Each charges the other with cruelty, Miss Moorhead didn’t throw any tables however.
They were married in 1930. Miss Moorhead originally filed for divorce. Lee filed a cross complaint last week. Yesterday Miss Moorhead amended her suit and mentioned the table-tossing episode.

October 4, 1950
Syracuse Herald Journal
Syracuse
Los Angeles October 4 (AP)
Miss Moorhead Cruel, Says Hubby
Actor Jack G. Lee says, his wife, actress Agnes Moorehead, berated him because of his dress, speech, posture and manner of eating. The assertions were contained in a cross complaint filed yesterday.
Lee also alleged that she humiliated him by instructing that the servants in their home answer the telephone with the phrase: “Miss Moorehead’s residence.”
On one occasion, he added, she banned him from her bedroom on grounds that he snored too loudly.
He charged that she hired a publicity man “whose purpose was to break up the marriage.” And that she then began keeping company with “a strange man.”
The actor cited these instances as cruelty in asking a divorce and all of their $200, 000 worth of community property.

I feel the need to insert the following into the aforementioned insanity that began in 1949. It’s one thing to have a nasty divorce drag you into the courts but it’s quite another when your family feels compelled to do the same thing. None of this made it beyond the pages of the newspapers in Zanesville Ohio but it illustrates another stress on an already stressed out individual.

April 14, 1949
The Times Recorder
Zanesville Ohio
Mark Moorehead Illness Fatal
Mark Moorehead 78, life resident of Rix Mills, died Monday afternoon at 8:15 o’clock at the Hesket Rest Home, Cambridge, after two weeks illness.
He was born December 18, 1870, the son of Robert and Hannah Moorehead, and was a member of the Mills United Presbyterian Church.
Surviving are a brother, Howard A. Moorehead of Denver, and a niece, Mrs. Agnes Moorehead Lee, well-known Hollywood actress. A brother and a sister are deceased. The body is at Speck Funeral Home, New Concord.

July 13, 1950
The Times Recorder
Zanesville, Ohio
Film Actress Is Named In Suit
A partition suit filed in common pleas court yesterday names Mrs. Agnes Moorehead Lee, motion picture character actress, defendant together with her mother, Mrs. Mary Moorehead of Reedsburg Wisconsin.
Agnes Moorehead, as she is known on the screen, owns five eighths of an eighty-acre tract in Union Township according to a petition filed by Mrs. Lou E. Park of New Concord.
Mrs. Park, a cousin of the actress, claims ownership of one quarter of the property and states that Mrs. Mary Moorehead owns one eighth.
Another piece of ground adjacent to the land in question, in Rich Hill Township, is owned completely by Mrs. Lee. She spent summers there as a child.
Joseph McNerny represents the plaintiff


July 30, 1950
Times Recorder
Zanesville Ohio
Legal Notice
Agnes Moorehead Lee, who resides at 1720 Monte Mar Terrace, Los Angeles, California and Mary Moorehead who resides at Reedsburg Wisconsin, will take notice that on the 12th day of July 1950, the plaintiff, Lou E. Parks, filed her petition against them in the Court of Common Pleas of Muskingum County, Ohio, the same being cause number 31248 in said court for the partition of certain real estate in said petition described to-wit. Situated in the county of Muskingum, Township of Union, and being the south half of Lot 1 Township, Range 5 and containing 80 acres.
The prayer of said petition is for the partition of said real estate and/or other equitable relief. Said defendants are required to answer said petition on the 11th day of September 1950 or judgment will be taken against them.

What this translates to is pay me or I’m suing you for money and property. Mrs. Park was also a niece of Mark Moorhead and you’ll notice she wasn’t even mentioned in the obituary. She was living locally. Most of us would expect to be in the obituary of a close relative that practically lived next door to us. I have no doubt that property in question was owned by Mark Moorhead and either he died in testate or he divided it up in his will in a manner that was unclear allowing for this suit to be realized. Personally, I cannot imagine having all of this tossed on my plate at one time. Not to mention the expense of legal teams for both cases had to be staggering financially.

The Don Juan In Hell Years
As she stumbled into 1951 she found that she would continue to be at the forefront of this divorce case as well rumors that had been circulating in newspapers for well over a year about her relationship with Robert Gist. Agnes also found herself involved in a theatrical phenomenon that placed her exactly where she wanted to be, treading the boards in serious theatre productions.

Reading through all the things that transpired in 1951 is exhausting but most likely only a fraction as exhausting as the actual year was for the woman who lived it. It stunned me to read where she had been, when she had been there and to know that in between all of that she was juggling, movies, a divorce, a relationship, and most of all touring the United States and Britain in “Don Juan in Hell” as Dona Ana. When did this woman sleep? I’ve worked in theatre for thirty years myself and I know first hand how exhausting a touring schedule can be. I just can’t work out when there was time for anything peaceful in her life. A sample of her schedule gleaned from all the newspaper accounts, incoming passenger lists, UK passenger lists and other documentation:
February 13th, 1951 2 performances North Texas State College
February 23rd, 1951 University Field House Fayetteville Arkansas
February 25th, 1951 Kiel Opera House St. Louis Missouri
March 4th & 5th, 1951 Lincoln Auditorium
April 1951 50 performances of “Don Juan in Hell” have been completed
June 6th, 1951 Arrives on the Queen Mary at Southampton England bound for the Savoy Hotel in London.
July 23rd, 1951 Departs the United Kingdom on a BOAC flight arrives in New York
1951 The Blue Veil
1951 Fourteen Hours
1951 Adventures of Captain Fabian
1951 Showboat
October, 1951 Carnegie Hall New York City
November 29, 1951 Don Juan in Hell New Century Theatre closes December 31, 1951




In addition to the grinding schedule the tour presented she also manages to testify in her suit for divorce in Los Angeles:

May 21, 1951
The Landmark
Statesville North Carolina
Agnes’ Cruelty Tale, Judge Says, Is Too Ancient
Los Angeles May 18
The movie actress is seeking a divorce from husband, Jack Lee, and in court she testified to numerous incidents which she described as cruelty. She also said Lee had been drinking heavily for more than 15 years.
But all events described in the testimony dated from 1945. The couple did not separate until 1949. The judge said it wouldn’t do. So, Miss Moorehead has to do it all over again providing testimony about more recent events. She says she can do it.

The Don Juan phenomenon grabbed peoples attention.  It made her a physical being to people who had only seen her on the screen or heard her on the radio.  It was a spotlight and she adored it right up until she realized that the spotlight could not be controlled.  During the tour of Don Juan it began to leak out whether on purpose or by accident that she was being courted by a man who was substantially younger than  she was.  He would be identified from the get go as Robert Gist an actor with whom she had appeared in "The Stratton Story" in 1949.  You have to ask yourself if her pairing with Gist was simply a coincidence or a plan.  Personally I believe the later of the two and I think that it was purposeful on the part of Gist to attach himself to Agnes.  He had a mission, he wanted to be "somebody."  Unfortunately he seems to have accomplished that and the price for it was the dignity of the woman that he used as a stepladder to Hollywood.


Coming in the next installment
The Gist of The Matter or What's the Matter with Robert Gist?

Monday, February 7, 2011

Hamilton Evening Journal Tuesday January 28, 1929

Agnes Moorehead Former Hamilton Girl, Achieving Success On Stage

That the drama and the church are nor far separated on many occasions is illustrated in the success that is coming to Miss Agnes Moorehead, daughter of Rev. and Mrs. John H. Moorehead, who has chosen the career of an actress.  Miss Moorehead is well known in Hamilton having spent a number of the years of her life here, while her father, now pastor of the Memorial Presbyterian church in Dayton, was the  pastor of the First United Presbyterian church of Hamilton.
Miss Moorehead is now a senior at the American Academy of Dramatic Arts in New York City, admittedly the outstanding school for the training of serious stage aspirants in the country.
Miss Moorehead had the honor of appearing in the head role of Anna Valenska in Walter Hachett's popular comedy, "Captain Applejack," when the senior students of the academy presented this play on Broadway for three performances the past week--one on Friday at the Lyceum Theatre and two yesterday at the McMillan Theatre.
During this week, the play will be repeated at Columbia University.  The presentation of "Captain Applejack" was the first of the year series of productions of the senior students of the academy and in other to follow Miss Moorehead is also to play the lead roles, she has been informed.
Miss Moorehead has been a diligent student of the drama in its more serious phases during the last three years she has been attending the academy, and during the last two years she has played all but two leading roles in the academy productions, so outstanding has her work been considered.
Miss Moorehead, a girl of striking beauty and vivid personality, was born while her father was in charge of the pastorate in Clinton Mass.  While he was a pastor in St. Louis, Miss Moorehead, who also has an excellent singing voice, was often heard over station KMOX, being referred to as the "Lady Tenor" because of the peculiar timbre of her voice which is decidedly of that register.
Miss Moorehead's ambition, according to her proud mother, is to conduct a dramatic studio of her own, but she does not propose to do this until she has gained some actual stage experience following her work in the academy.
During the summer, she expects to go into stock, a course which she regards as excellent training for her particular needs.  She will complete her studies in March and will visit her parents at 10 Stonemill Road in Dayton, where she has been on but one occasion before starting her professional work. 
A short time ago she had an excellent opportunity to join a stock company in New Orleans, but declined in the belief that completion of her course in the academy, with the training she is getting by appearing on Broadway with the academy production, is of too great value to pass up.
Though the initial play in which she appeared publicly is a comedy, Miss Moorehead's leanings are more toward the strictly dramatic and it is this line she hopes to win her laurels when she enters her work professionally

Wednesday, February 2, 2011

Evening, May 23, 1938 The Zanesville Signal

Rev. Moorehead Dies In Church
Rev. John H. Moorehead, pastor of the Kohr Memorial Presbyterian church in Columbus died suddenly while conducting services at the church Sunday morning.
Rev. Mr. Moorehead was a native of Rix Mills and received his education at Muskingum and Monmouth colleges.  He graduated from Xenia Theological Seminary of which his uncle, Dr. W.G. Moorehead, was president for 22 years.
In 1900 he was ordained to the United Presbyterian ministry and during the World War served as chaplain at the Great Lakes Training Station at Chicago.  He served at pastorates in Scottdale Pennsylvania, Clinton Massachusetts, Hamilton Ohio, St. Louis, Dayton and Columbus Ohio.
He is survived by his wife Mrs. Mary Moorehead, a daughter Mrs. Agnes Lee, New York, a sister Miss Camilla Moorehead, New Concord, and two brothers Mark Moorehead, Rix Mills and Howard Moorehead, Denver.
Funeral arrangements are incomplete pending the arrival of the daughter from her home in New York.  Mrs. Lee is Agnes Moorehead comedienne of the Phil Baker Sunday evening programs originating in New York.  She formerly appeared on the Al Pierce Show, Ben Bernie Show and The March of Time.

Monday, December 6, 2010

Happy Birthday Sweet Violet

110 years ago today Agnes Robertson Moorehead was born.  The world was yet unaware of the talented secreted away in this tiny baby.  Lavender Lady, Sweet Violet Shakespeare surely predicted your coming:

Sonnet XCIX.

The forward violet thus did I chide:
Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love's breath? The purple pride
Which on thy soft cheek for complexion dwells
In my love's veins thou hast too grossly dyed.
The lily I condemned for thy hand,
And buds of marjoram had stol'n thy hair:
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red nor white, had stol'n of both
And to his robbery had annex'd thy breath;
But, for his theft, in pride of all his growth
A vengeful canker eat him up to death.
More flowers I noted, yet I none could see
But sweet or colour it had stol'n from thee.


Happy birthday darling girl!  We are all the better for having known you.